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Darren
Padgham
Photographer (Toorak, VIC)
Darren studied photography
at PSC in Melbourne, Australia. He had no idea what
type of photographer he wanted to be when finishing
college so decided to spend a few years assisting
all types of photographers from various fields. He
relocated to London for 3 years and quickly found
a liking for working with other creatives such as
art directors and artists. He also enjoyed the discipline
of going out and constructing images.
Darren found himself attracted
to 60s and 70s American photographers such as Lee
Freilander, Joel Sternfeld, Robert Adams and William
Egglestone. Today he still greatly admires these photographers
as well as a growing number of Dutch photographers.
Darren is also greatly influenced by the work of modern
artists such as Bansky.
On returning to Australia
Darren put together a portfolio of his work. He began
showing anyone who would look, and is now regularly
approached by advertising and design agencies for
comissioned photography work. He has also participated
in a number of group exhibitions.
Previously Darren focused
on the projection of the individual image. He now
concentrates on building up a body of work around
an idea and exploring that idea over a series of images.
He is currently working on various projects with the
intention of exhibiting them and being represented
by a gallery.
Darren is available for
commissioned work and is interested in connecting
with galleries and other exhibiting photographers.
Contact Darren Padgham
Visit
Darren Padghams website
Exhibition
History & Awards
AOP London Awards 2002
- Landscape winner
AOP Exhibiton 2002
AOP London Awards 2005
AOP Exhibiton 2005
Urban Masterpieces Exhibition, Eve Complex 2005
Artists Statement
I am interested in creating
imagery that negotiates truth and fiction. I like
to create images that make the veiwer ask questions
as to what may have just taken place prior and what
may be about to happen. I try to instill the image
with its own life rather than being a document of
what life is. I try to create a sense of wonder and
mystery in the image. I also avoid using cliches or
gimmicks and try not to make the image looked too
contrived. I am interested in exploring something
beautiful, tender in something that may too often
cast aside by others because it may not contain anything
of commercial beauty. I also like the reverse idea
of this and look for something hard and rough in something
commercially pretty.
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